ScapersScapers is a place for all you Farscape and Sci-fi fans out there, whether you are a casual fan that likes show, or an obsessive fan that must have a hit of Farscape just to survive the day, this is the place for you. To join just send Scapers a note saying you wish to join, and add Scapers to your friends list, you will then be added to the journal and can start submitting art.
Submitting Art and Competition Entries
If you are a member of the group, you can submit art by sending a note to Scapers with a link to the deviaton you would like added to the group's gallery, or if you would like to submit art that is exclusive to scapers, send it to deviantscapers@yahoo.com with a desription of the piece.
Voteing Details
To vote, just put a
(: thumbsup : without the spaces) in a comment on the entry that you think should win.Current Members:
Find out more about Farscape
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Official Farscape Site
Your gallery is awesome! Love the space scenes.
I like the Halo series
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Lazarus 1-0-5 is alive... for now! [link]
Reed my storeeeys! Woot! [link] [link]
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*HitmanRebornUK's Hibari Kyoya & Belphegor
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"Just keep swimming, just keep swimming."
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"There was also the time I used a sharpened clam to turn a T-Rex into a T-Rachel" Buck [Ice age 3]
"I fail to see your source of amusement" Pilot [Farscape]
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"If you only knew what was hidden behind the walls of your dreams you wouldn't dare to close your eyes again" - Twilight Master Seth, lord of nightmares
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Best
CT
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god is love
Someday you will be old enough to start reading fairy tales again.
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Christians
Talent Club [link]
Quote from FARSCAPE: THE ILLUSTRATED COMPANION, by Paul Simpson and David Hughes (London: Titan Books, 2000), pp 27-28:
"There were other artistic influences on the fight scene. Ricky Eyres explains: 'Russian constructivism was a form of art that developed before the revolution. There was a famous painting called "Beat the Whites with the Red Witch" [sic], and there's one blatant piece of it in this episode, which you see when Aeryn's fighting with Matala. It starts with an overhead crane shot, and it's actually that painting, broken down as a carpet. It just seemed to fit, and from a visual point of view it was very strong.'"
The mural to the side of Aeryn and Matala was created by production designer Ricky Eyres in the same style as Lissitzky's work.
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GENTLEMEN OF THE WORLD, UNITE.
YOU HAVE NOTHING LEFT TO LOSE BUT YOUR CUFFLINKS
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